Tag Archives: Frank Lloyd Wright

Hills – DeCaro House, Oak Park Illinois

Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
HillsDeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House pergola,, Oak Park, Illinois, Photo Romi Cortier
Hills - DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier
Hills-DeCaro House, Oak Park, Illinois, Photo Romi Cortier

The Hills-DeCaro House, located at 313 Forest Avenue in Oak Park,  has an extraordinary history.  This house is part of the self guided Frank Lloyd Wright walking tour that can be seen while visiting Oak Park, Illinois.

The original structure, seen below, was built by architect Charles C. Miller for William Cunningham Gray in 1883.  After changing ownership in 1900, the home was moved south of its original location, and rotated counterclockwise… who knew they could do that in 1906. Frank Lloyd Wright was then commissioned to redesign the home, thus creating the Prairie Style home seen above. This was achieved by entirely engulfing the original building, creating a more horizontal vibe, versus the vertical look of the original home.

The Gray House by Charles C. Miller, Photo courtesy of the Northwest Architect Archives at the University of Minnesota Libraries in Minneapolis.
The Gray House by Charles C. Miller, Photo courtesy of the Northwest Architect Archives at the University of Minnesota Libraries in Minneapolis.

Completed around 1907, the home was a wedding gift from Nathan Moore, to his daughter Mary Hills . Not fond of the homes ‘stern and austere’ look, she hired a new architect to make alterations, such as extending the kitchen wing to include a pantry and breakfast room, enclosing the rear porch, and adding a children’s playroom under the rear porch.

In 1975 Tom and Irene DeCaro purchased the home and began a diligent restoration with the aid of architect John Tilton. But a fire in 1976 devastated much of the structure, including the entire second and third floors.  Following a neighborhood fundraiser, construction resumed, returning the front elevation to its original 1906 design.  For their part in the restoration, the Oak Park Landmarks Commission voted to rename the completed structure as the Hills-DeCaro House in 1977.

In 2009, the Smylies, who bought the home in 2001, decided to recreate a portion of the original pergola that had once existed. Subsequent digging uncovered the limestone foundation for the pavilion, while Roman bricks were matched to remnants found near the buried foundations.

I had no knowledge of any of these facts until I did research for this article. All I can tell you is how much I loved the grand, yet elegant proportions of this home when I stood in front of it. I also loved the color palette of the home, which seems to reflect todays current trend of of highly  contrasting  black and white exteriors. Little did I know when I walked through the alley behind the home, that the gorgeous pergola was fairly recent and a recreation of the original lost many years ago. This kind of love for architecture gives me faith in humanity on the eve of this very nerve racking election.

Revisiting the Frank Lloyd Wright Home and Studio

Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier

I first visited the Frank Lloyd Wright Home and Studio in 2004 on an architectural tour hosted by my art history teacher from  UCLA.  It so impressed me that I couldn’t wait to revisit it on my recent trip to Chicago.  The entire neighborhood  surrounding the studio was absolutely pristine. Clearly there must be an HPOZ or some governing body in place to ensure that the neighborhood remains in tip top shape for visiting tourists such as myself, who are devotees of Frank Lloyd Wrights Prairie Style architecture.

Mr. Wright built his original home on this site in 1889, seen below from the side. In 1897 he added on the architectural work studio seen above. Even though he had an office in Chicago’s downtown Loop neighborhood, he preferred to be in an environment that ‘conspired to develop the best there is in him.‘ An environment free of the distractions of the busy city. 

Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier

By viewing the homes located directly across the street (seen below), it helps you see just how revolutionary Wright’s designs were. Typical buildings of this era were mired in the past, with styles derived from the architecture of old Europe. Organic Architecture, as he referred to it, meant that architecture should be suited to its environment and be a product of its place, purpose and time. The Prairie Style was inspired by the broad flat landscapes of the American Midwest and it was the first uniquely American architectural style of what has been called ‘The American Century’.

Oak Park, Illinois, Photo Romi Cortier
Oak Park, Illinois, Photo Romi Cortier

In 1888 Frank Lloyd Wright studied under the prestigious firm of Adler & Sullivan. Louis Sullivan soon recognized Wright’s talent and spent countless hours mentoring him and shaping his philosophies. It’s my opinion that the four decorative pillar supports seen above are an homage to Sullivan, who was famous for his vegetal ornamentation, also a signature of the Art Nouveau period. Wright’s later vegetal work becomes much more streamlined and graphic, like the detail seen below in Los Angeles’s Hollyhock House.

Hollyhock Panel, Hollyhock House, Barnsdall Park, Photo Romi Cortier
Hollyhock Panel, Hollyhock House, Barnsdall Park, Photo Romi Cortier

Next time you’re visiting Chicago, be sure and find time to tour this remarkable and important home that was the foundation for Wright’s illustrious career as one of Americas foremost architects.

Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier
Frank Lloyd Wright Home and Studio, Oak Park, Illinois, Photo Romi Cortier

flwright.org

… and lastly, check out my recent video about the painting I created from the garden statue above known as ‘Sprite in the Garden‘.

Outside Frank Lloyd Wright’s Storer House

Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright's Storer House, Los Angeles, Photo Romi Cortier
Frank Lloyd Wright’s Storer House, Los Angeles, Photo Romi Cortier

I stood outside Frank Lloyd Wright’s Storer House to take these photos, because the driveway gate was open due to construction further up the hill. It took every ounce of restraint not to walk up the stairs and and peer into the windows… as other Instagramers so brazenly did when I searched the hash tag Storer House on Instagram. Don’t get me wrong, I was tempted, but there are No Trespassing signs for good reason. This is a private residence, one of only four in a series of concrete textile-block homes built by Wright in Los Angeles. I’m sure if I owned this home, I’d get tired of the tourists and architectural stalkers scaling my walls for a look around. But as you can see, it’s impossible to take a bad photo of this house with its stunning Mayan Revival style .

I’ve been aware of this house for over 20 years, and even though I live just up the hill from it, it’s on a road that I rarely drive. Therefore, I hadn’t seen it in over a decade. What’s remarkable to me, is how much the foliage has grown up around it, and how much more wear some of the concrete blocks have suffered. When film producer Joel Silver owned the home in the mid-80’s, he spared no expense restoring it, which included replacing many of the concrete textile blocks made using the soil from the backyard,  mixed with cement to conform to Wright’s concept of organic architecture.  According to a Curbed LA article in February of this year, the home recently sold to a preservation minded buyer for what is expected to be a record price for a Wright House, possibly just shy of $7 Million.  It’s so exciting that Angelenos see value in preserving and restoring these historic treasures.

Built in 1923 for Dr. John Storer, Frank Lloyd Wright used the textile-block motif to fit the home into the hillside, creating the impression that the home was a man made extension of the landscape. The home was added to the National Register of Historic Places in 1971 and designated as a Historic-Cultural Landmark (#96) in 1972 by the Los Angeles Cultural Heritage Commission. This home is considered to be one of Wright’s great masterpieces… so I guess that explains all the Archi-Stalkers.