Category Archives: Art

Staging 3339 Ellington Villa Drive in Altadena

3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier

Staging 3339 Ellington Villa Drive was a total blast, and served two purposes. The first purpose  was to help out a client who was preparing to sell her home, it’s first time on the market in 40  years. The second purpose, was to create a set for filming an episode of Artful Living. Locations for filming can be very expensive, so it was a perfect trade, plus this gem of  a mid-century ranch home built in 1957,  was the ideal backdrop for our episode about all things mid-century.

The  pilot episode of Artful Living was finished in the fall of 2017. After getting some great feedback from several of our contacts  in the entertainment industry, we decided we needed to do a  re-shoot to streamline the shows message.  Therefore, we were looking for a new mid-century location to film an interview with architectural historian Eleanor Schrader.  Eleanor was my  instructor during my studies at the UCLA Interior Design  Program, and I was elated when she agreed to join for such a special interview.

Romi Cortier and Eleanor Schrader on the set of Artful Living, 2018
Romi Cortier and Eleanor Schrader on the set of Artful Living, 2018

If you’ve never been on a film set, it’s a long arduous day. We literally spent 13 ours filming our interview,  which included a walk through of the home. We discussed my staging choices, as well as the design hallmarks of this mid-century ranch home.

When it comes to staging, each room needs to have a ‘color story‘ as I like to call it. I’ve learned from experience that a beautiful monochromatic room might feel wonderful while you’re sitting in it, but when you look at images of those kinds of spaces, they can completely die and have no life whatsoever on camera. Therefore, little spikes of color can make the space feel exciting and alive.

For the living room, I used my Purple Hydrangea painting (yes I’m a painter) as the spring board for the color story. I found nick nacks  for the room at Marshall’s, Home Goods and T.J.Maxx, with the exception of the purple chenille cubes which came from my personal collection.

3339 Ellington Villa Drive, Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier

For the dining room and kitchen, my Yellow and Chartreuse Bird paintings were the spring board for my color story.  I used a few simple items in those same tones, which kept the room looking crisp and simple.  In case you’re wondering about the dining room table, it came from IKEA for less than $200, and was a perfect fit for the mid-century styling.

3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier

I’m happy to report that the home went into escrow during it’s first week on the market, and many people also commented on how much they loved the staging. We’re working hard with our editors putting together our show, and can’t wait to share it with you in the coming weeks! Stay tuned…

See listing HERE

The Abstract Art of Carla Jerome

Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Abstract Art by Carla Jerome, 2018, Photo Romi Cortier
Abstract Art by Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier

I recently attended the art opening of client Carla Jerome at FIG Gallery in Santa Monica at the  26th Street Art Center, formerly known as the Bergamot Station Arts Center.  Yes, as of January 1, 2018 the Arts Center is now under new ownership with a new name.

Carla’s exhibit explored abstraction, inspired by her previous figurative work. To quote Carla, My work is a continuous conflict, balancing challenges and seeking equilibrium. I avoid creating art that dictates a certain response. I believe that ‘art’ allows each of us to interject ourselves into it, to find a unique meaning. She uses layers of charcoal and acrylic paint to build her painting, until it’s complete.

One of the things that resonated with me about Carla’s work, is her use of color.  The emotional quality of her color palettes are either soothing, think cool lavender and blues tones, or energizing, with her use of red and orange tones.  I also like the subtle line work that references her love of architecture. Shapes of buildings and chairs overlap, creating  layered landscapes that shift into and out of focus. The end result are works that are easy to live with, and works that could fit into a wide range of architectural environments.

Carla Jerome & Romi Cortier, FIG Gallery, Carla Jerome Art Exhibition, 2018
Carla Jerome & Romi Cortier, FIG Gallery, Carla Jerome Art Exhibition, 2018

If you’d like to see more of Carla’s works, particularly her figurative work, check out her web site HERE.

Kehinde Wiley’s Portrait of President Barack Obama

Presidential Portrait of Barack Obama, Kehinde Wiley, Oil on Canvas, 2018
Presidential Portrait of Barack Obama, Kehinde Wiley, Oil on Canvas, 2018
Artist Kehinde Wiley and President Barack Obama, Smithsonian National Portrait Gallery, Official Portrait Unveiling.
Artist Kehinde Wiley and President Barack Obama, Smithsonian National Portrait Gallery, Official Portrait Unveiling.

President Barack Obama’s official Portrait by Kehinde Wiley was unveiled at the Smithsonian National  Portrait Gallery,  Monday February 12th, 2018. The portrait has been met with criticism by some, and applauded by others. I for one am a huge fan of Wiley’s portrait. That said, I wanted to try and wrap my mind around some of the controversy that I’d seen on social media from those who felt it wasn’t ‘on par’ with the tone and tenor of previous Presidential Portraits. So I decided to do some research…

John F. Kennedy Presidential Portrait, Elaine de Kooning, Smithsonian National Portrait Gallery
John F. Kennedy Presidential Portrait, Elaine de Kooning, Smithsonian National Portrait Gallery
William Jefferson Clinton, Presidential Portrait by Chuck Close, Smithsonian National Portrait Gallery
William Jefferson Clinton, Presidential Portrait by Chuck Close, Smithsonian National Portrait Gallery

What I discovered is that President Barack Obama wasn’t  the first to buck classic portraiture for his official portrait.  Both John F. Kennedy and Bill Clinton are represented by the avant-garde artist  of  their day.  As is frequently the case, stories on social media are tailored to reinforce a specific point of view. Namely, that Obama was wack for choosing such an outrageous artist that didn’t represent the traditional norms of the office.  When taking a closer look at the ‘norms’, one can clearly see that there’s been a broader range of painting styles presented at the Smithsonian over the years. Follow the link below to view all of the Presidential Portraits from the last century.

Artnet News: 100 years of Presidential Portraits 

I’ve been a fan of Kehinde Wiley for over a decade, and was thrilled to see his paintings on the tv show EMPIRE. It’s a brilliant choice to have a fictional character like Lucious Lyon, a black music mogul, fill his home with the art of such a highly regarded black artist, thus supporting those at the top of his community.

Kehinde Wiley, Studio Portrait
Kehinde Wiley, Studio Portrait

Here are a few more examples of Wiley’s work.

Starlit Nights, Kehinde Wiley, Oil on Canvas, 2013
Starlit Nights, Oil on Canvas, Kehinde Wiley, 2005
LL Cool J, Oil on Canvas, Kehinde Wiley, 2005
LL Cool J, Oil on Canvas, Kehinde Wiley, 2005
Jean de Carondelet III, Oil on Canvas, Kehinde Wiley, 2013
Jean de Carondelet III, Oil on Canvas, Kehinde Wiley, 2013

As an artist, I absolutely love the magnificent size of his paintings, as well as the lusciousness of the background behind his subjects. His ability to beautifully render skin tones is out of this world, and to quote Obama: I was struck by the degree to which they challenged our ideas of power and privilege. Kehinde juxtaposes contemporary urban culture with centuries old postures and wallpaper like backgrounds.

When I composed my own painting of President Barack Obama in 2011,  I also chose a lush green background to represent his  emotional life. I wanted my image to be reminiscent of a gothic stain glass window with the presidential seal as his halo. My overall theme was about the religious fervor surrounding the election of our first African American President. The ionic column represents democracy, with the red and blue states being represented on their respective sides of the column, blue on the left, red on the right.

Obama and the Tree of Knowledge, Oil on Canvas, Artist Romi Cortier
Obama and the Tree of Knowledge, Oil on Canvas, Artist Romi Cortier

For Wiley, he wove chrysanthemum  into the greenery of the background  (the official flower of Chicago),  and Jasmine for Hawaii, as well as African Blues symbolic of Obama’s heritage. Like the fictional character Lucious Lyon,  President Barack Obama chose one of the finest artist from the black community to forever represent the first African American President  in the Smithsonian National Portrait Gallery. It was a bold choice that I absolutely applaud, and I believe  it will certainly pass the test of time. Great men must be ahead of the curve, not behind it,  paving the way for others to follow.

www.kehindewiley.com 

The Buddha’s of Artist Metis Atash

Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show 2017, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2017, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018,  Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2017, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
Buddha by Metis Atash, L A Art Show, 2018, Photo Romi Cortier
LA Art Show, Romi Cortier, Recio Young, JD Miller, and Melanie Engle
LA Art Show, Romi Cortier, Recio Young, JD Miller, and Melanie Engle

The Buddha’s of artist Metis Atash took the L A Art Show by storm. Covered in nearly 20 thousand Swarovski crystals, her Buddha’s radiated light in every direction, enticing patrons to take countless photos and videos of  her sculptures. JD Miller of the Dallas based Samuel Lynne Galleries, was a fantastic host on both days of our visit to the art show.

We were there opening night, and then again on the fourth and final day of the show. Opening night was fun and very conversational with several gallery owners and artists. Therefore, we didn’t make it to every booth. So we returned early Sunday morning and made our way to the booths that we’d missed. Our last stop was back were we’d begun… at the Buddha’s!

Atash sculpts in fiberglass, covers her creations with acrylic paint, and then meticulously bathes each piece by hand in upwards of 20,000 Swarovski crystals. The completed works can be an homage to icons like Chanel,  Lichtenstein, Warhol, or Hirst, with a zen vibe rooted  in Daoism. Her artwork has been exhibited in select galleries throughout the United States, Canada, and Europe, and has been featured in Vogue, Elle Decor, Architectural Digest and Haute Living.  And most recently her work has been seen on CNBC’s the Secret Lives of the Super Rich.

If one of these beautiful creations is in your future, then reach out to Samuel Lynne Galleries in Dallas and tell them Romi sent you.

Samuel Lynne Galleries, 1105 Dragon St., Dallas TX. 75207

214 965-9027

 

METISH ATASH

The Art of Michael Muller & Sage Vaughn

'Hitch Hiker' Acrylic, Ink and Vellum on Archival Paper, Micheal Muller & Sage Vaughn, Photo Romi Cortier
‘Hitch Hiker’ Acrylic, Ink and Vellum on Archival Paper, Micheal Muller & Sage Vaughn, Photo Romi Cortier
'Attacker 1', Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
‘Attacker 1’, Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
Echo Chamber, Acrylic, Ink & Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
‘Echo Chamber’, Acrylic, Ink & Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
'Peeper', Acrylic, Ink and Vellum on Archival Photograph Paper, Sage Vaughn & Micheal Muller, Photo Romi Cortier
‘Peeper’, Acrylic, Ink and Vellum on Archival Photograph Paper,  Micheal Muller & Sage Vaughn, Photo Romi Cortier
'Garden Party Crasher', Acrylic, Ink, and Vellum on Archival Photograph Paper, Michael fuller & Sage Vaughn, Photo Romi Cortier
‘Garden Party Crasher’, Acrylic, Ink, and Vellum on Archival Photograph Paper, Michael fuller & Sage Vaughn, Photo Romi Cortier
'Attacker 2', Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Miller & Sage Vaughn, Photo Romi Cortier
‘Attacker 2’, Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Miller & Sage Vaughn, Photo Romi Cortier

I LOVED the recent art exhibition of Michael Muller and Sage Vaughn. I’ve been aware of Sage’s paintings for years, but I’ve never had the opportunity to see his work in person. This  recent exhibit featured Vaughn’s painting over the photographic images of Michael Muller.  Most images were 48″ x 60″ and some as large as 60″ x 90″, ranging in price from $16,000 – $22,000. I was elated to see so many red sold dots on the pieces.

Over the last decade Sage has had multiple solo shows, from New York to London to Germany and Geneva. There have also been several group exhibitions from Los Angeles to London, San Francisco  to Belgium… it’s safe to say, Sage is everywhere. I wish I would have known about his work a decade ago, as it might have been a bit more affordable. But that’s what drives prices up: the international solo shows and a list of top notch collectors.

Below are a few more images of Sage’s work from his web site www.sagevaughn.com.

I'm not Trying to Forget, Acrylic, Ink and Vellum on Paper, Sage Vaughn, SageVaughn.com
I’m not Trying to Forget, Acrylic, Ink and Vellum on Paper, Sage Vaughn, SageVaughn.com
The Gazer (R Prince) 2014, Oil, Acrylic, Ink and Vellum on Canvas, Sage Vaughn, SageVaughn.com
The Gazer (R Prince) 2014, Oil, Acrylic, Ink and Vellum on Canvas, Sage Vaughn, SageVaughn.com

As an artist, I’ve been very enamored by Sage’s use of the Butterfly, combined with his drip paint technique. Below you can view a YouTube mural making video that I created in 2014 inspired directly by his paintings. I have no idea if he’s ever seen my work, but I do hope that he would be flattered and not offended by my interpretation of his beautiful fine art.