The Magic of Tiffany & Co. on Rodeo Drive

Tiffany & Co., Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., 2017, Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., 2017, Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., 2017,  Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., 2017, Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., 2017, Beverly Hills, Ca. Photo Romi Cortier

The magic of Tiffany & Co.  window displays burst on the scene in  1961  when  the movie Breakfast at Tiffany’s debuted with Audrey Hepburn.   It solidified the idea of romance with all of  it’s endless  possibilities… so there’s absolutely no pressure to create holiday windows that will still captivate nearly 60 years later, right?

The delicate  details that go into each and every window display are still pure magic. Those beautiful blue-green boxes wrapped in white ribbon keep your minds eye wondering what beautiful treasure might be hidden  inside.  By the way,  did you know that Tiffany Blue has its own Pantone number – PMS1837, however, it can’t be seen in the Pantone swatch book. It’s also copyrighted in some American states… just a few more ways to keep that magic a little more elusive.

Established in 1853, Tiffany & Co. was one of the first stores to clearly mark the price on their goods to prevent any haggling over prices. In addition, against the norm of the time, Tiffany only accepted cash payments and did not accept payments on credit. My how times have changed.  The famous  flagship store on 5th Avenue and 57th Street in Manhattan  opened in 1940,  and one of my favorite things about the store is its Art Deco details. If you happen to see newer locations, such as those built  inside a mall, their front  doors still feature those iconic stainless steel deco details.

Tiffany & Co., Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Tiffany & Co., Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier

Even after having been in business for over 160 years, they’ve managed to keep the magic alive. On my sisters recent 50th birthday, we traveled to Manhattan to celebrate… and stop number one, Tiffany’s! If you’re still looking for that last minute holiday gift, you know where to go.

 

Louis Vuitton pairs with Jeff Koons for the Masters Collection

Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier
Louis Vuitton, Rodeo Drive, Beverly Hills, Ca. Photo Romi Cortier

Louis Vuitton has paired up with world renowned artist Jeff Koons to create a line of handbags focusing on old world art masters such as Monet, Gauguin, Manet, Turner and Boucher.  I only discovered this a couple of nights ago while strolling down Rodeo Drive in Beverly Hills. I’m not trying to be bougie… it’s just that I live a few blocks away and it’s so much fun to take in the holiday decorations. It’s free, fun, fantastic and often inspiring to see the holiday window displays.  Plus this year they’ve brought back the Baccarat Chandeliers that are only hung above  the street during some  Christmas seasons, not all. There’s also a little piped in holiday music, and plenty of areas for photo ops  with the hashtag #OnlyOnRodeo. It’s all about branding, plus I think that retailers are having a tough time getting shoppers into stores since online shopping has become everyones ‘easy out’.

As I was walking by Louis Vuitton’s windows I was initially drawn in by the new color combinations of some of the handbags, particularly the ones inspired by the paintings of Turner. The strong lavender-blue tone mixed with the hazy orange tones of Ancient Rome, really did it for me. As I continued to study the windows, I realized that the large white bunny in the entrance, as well as the handbag tags, were  an homage to Jeff Koons balloon animals that he’s so famous for.

Jeff Koons Ballon Rabbit, Eli Broad Collection
Jeff Koons Ballon Rabbit, Eli Broad Collection

And then… there are the LV’s and the JK’s on the handbags, as well as in the windows, another reference to the collaboration between these two iconic companies.  And lastly, there’s that big blue Christmas ball that isn’t a Christmas decoration at all, but rather an homage to his Gazing Ball Paintings.

Jeff Koons Gazing Ball Paintings, Gagosian Gallery
Jeff Koons Gazing Ball Paintings, Gagosian Gallery

Whether you love or hate the new handbags, the holiday windows on Rodeo Drive are a perfect exercise in restraint. They tell the story of the new collection and joint collaboration, while still looking festive from an uniformed point of view.  Bravo!

 

Veuve Clicquot Polo Classic feels like an Impressionist Painting

Veuve Clicquot Polo Classic Fan, 2017, Photo Romi Cortier
Veuve Clicquot Polo Classic Fan, 2017, Photo Romi Cortier
'Contemplation' by Mary Cassatt, 1891 -92
‘Contemplation’ by Mary Cassatt, 1891 -92
Veuve Clicquot Polo Classic, 2017, Will Rogers State Park, Photo Romi Cortier
Veuve Clicquot Polo Classic, 2017, Will Rogers State Park, Photo Romi Cortier
Woman with a Parasol, Claude Monet, 1875
Woman with a Parasol, Claude Monet, 1875
Veuve Clicquot Polo Classic, 2017, Will Rogers State Park, Photo Romi Cortier
Veuve Clicquot Polo Classic, 2017, Will Rogers State Park, Photo Romi Cortier
'Racehorses' Edgar Degas, 1895, National Gallery of Canada
‘Racehorses’ Edgar Degas, 1895, National Gallery of Canada
Veuve Clicquot Polo Classic, 2017, Will Rogers State Park, Photo Romi Cortier
Veuve Clicquot Polo Classic, 2017, Will Rogers State Park, Photo Romi Cortier
Sunday Afternoon on the Island of La Grand Jatte, Georges Seurat, 1884-86, Art Institute of Chicago
Sunday Afternoon on the Island of La Grand Jatte, Georges Seurat, 1884-86, Art Institute of Chicago

I recently attended the Veuve Clicquot Polo Classic in Los Angeles. It was my first time attending this event, and my first time watching a polo match. The temperatures were pushing 90 on this very hot October day. In an attempt to stay cool, attendees  were huddled under a sea of orange Veuve Clicquot umbrella’s as far as the eye could see. We tried our best to purchase one, but they’d quickly sold out. Thank goodness for the complimentary orange fans and the faintest  summer  breeze.

As the day unfolded, I began to glimpse familiar visions of moments I’d seen before in museums, namely impressionist paintings.  It’s so odd to feel as if you’re living inside a painting, experiencing some sort of art deja vu. Impressionist paintings were inspired by everyday life, so why not this day? It was beautiful in every direction: polo ponies, orange umbrella’s, beautifully dressed people wearing the latest trends. To be honest, it was more fun watching the guests jockeying for photos ops at the branded photo stations, then it was actually watching the polo match.

However, as everyone stood for the National Anthem, I was both proud and humbled.  I was also reminded of George Seurat’s Sunday Afternoon on the Island of La Grand Jatte. The beautifully groomed jockeys on manicured polo ponies reminded me of Edgar Degas’s Racehorses. And when a sea of women took to the field  at half time  to stomp the divots… and of course take a few selfies, I was reminded of Claude Monet’s  Woman with a Parasol. It’s amazing how much life changes, and yet stays the same. Maybe we all dream the same dream. To see. To be seen. To make a difference. And to look absolutely fantastic while we do it.

A Hancock Park Halloween

Hancock Park Halloween, 2017, Photo Romi Cortier
Halloween in Hancock Park, 2017, Photo Romi Cortier
Hancock Park Halloween, 2017, Photo Romi Cortier
Halloween in Hancock Park, 2017, Photo Romi Cortier
Halloween in Hancock Park, 2017, Photo Romi Cortier
Halloween in Hancock Park, 2017, Photo Romi Cortier
Halloween in Hancock Park, 2017, Photo Romi Cortier
Halloween in Hancock Park, 2017, Photo Romi Cortier
Hancock Park Halloween, 2017, Photo Romi Cortier
Halloween in Hancock Park , 2017, Photo Romi Cortier
A Hancock Park Halloween, 2017, Photo Romi Cortier
Halloween in Hancock Park, 2017, Photo Romi Cortier

Halloween in Hancock Park is unlike anything you’ve ever seen. If you’re not familiar with Hancock Park, and neighboring Windsor Square,  it’s because it’s one of LA’s best kept secrets.

The affluent neighborhood was founded in the early 1920’s by developer – philanthropist George Allan Hancock, and includes roughly 1200 homes. The homes tend to be architecturally significant, sitting on palatial lots, frequently with guest homes and pools tucked behind them. And when it comes to Halloween, these magnificent homes are frequently decorated to the nines. Why? Because trick or treaters come flocking to these homes by the thousands… and I’m not exaggerating. I’ve seen it first hand year after year.

The magic starts at sundown, with the youngest goblins strolling in. As the moon rises in the night sky, the streets get more and more crowded. The lines outside each home can be 50 to 100 deep, with zombie cheerleaders, biker babies and little mermaids  filling their bags with some of the best candy south of Melrose avenue. One of my clients who lives in the neighborhood told me he spends on average of $500 a year, or more, on candy. With numbers like that, maybe I should be donning a mask and making the rounds too… kidding. Seriously tho, It’s so much fun to see so many happy faces making the rounds, awed by the Disney-esk mansions. Maybe someday when they’re older, they’ll come to truly appreciate theses grand  Mediterranean and Spanish Revival homes for their architecture… but for now, it’s all about the Candy.

Happy Halloween!!

The Art of Michael Muller & Sage Vaughn

'Hitch Hiker' Acrylic, Ink and Vellum on Archival Paper, Micheal Muller & Sage Vaughn, Photo Romi Cortier
‘Hitch Hiker’ Acrylic, Ink and Vellum on Archival Paper, Micheal Muller & Sage Vaughn, Photo Romi Cortier
'Attacker 1', Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
‘Attacker 1’, Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
Echo Chamber, Acrylic, Ink & Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
‘Echo Chamber’, Acrylic, Ink & Vellum on Archival Photograph Paper, Michael Muller & Sage Vaughn, Photo Romi Cortier
'Peeper', Acrylic, Ink and Vellum on Archival Photograph Paper, Sage Vaughn & Micheal Muller, Photo Romi Cortier
‘Peeper’, Acrylic, Ink and Vellum on Archival Photograph Paper,  Micheal Muller & Sage Vaughn, Photo Romi Cortier
'Garden Party Crasher', Acrylic, Ink, and Vellum on Archival Photograph Paper, Michael fuller & Sage Vaughn, Photo Romi Cortier
‘Garden Party Crasher’, Acrylic, Ink, and Vellum on Archival Photograph Paper, Michael fuller & Sage Vaughn, Photo Romi Cortier
'Attacker 2', Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Miller & Sage Vaughn, Photo Romi Cortier
‘Attacker 2’, Acrylic, Ink and Vellum on Archival Photograph Paper, Michael Miller & Sage Vaughn, Photo Romi Cortier

I LOVED the recent art exhibition of Michael Muller and Sage Vaughn. I’ve been aware of Sage’s paintings for years, but I’ve never had the opportunity to see his work in person. This  recent exhibit featured Vaughn’s painting over the photographic images of Michael Muller.  Most images were 48″ x 60″ and some as large as 60″ x 90″, ranging in price from $16,000 – $22,000. I was elated to see so many red sold dots on the pieces.

Over the last decade Sage has had multiple solo shows, from New York to London to Germany and Geneva. There have also been several group exhibitions from Los Angeles to London, San Francisco  to Belgium… it’s safe to say, Sage is everywhere. I wish I would have known about his work a decade ago, as it might have been a bit more affordable. But that’s what drives prices up: the international solo shows and a list of top notch collectors.

Below are a few more images of Sage’s work from his web site www.sagevaughn.com.

I'm not Trying to Forget, Acrylic, Ink and Vellum on Paper, Sage Vaughn, SageVaughn.com
I’m not Trying to Forget, Acrylic, Ink and Vellum on Paper, Sage Vaughn, SageVaughn.com
The Gazer (R Prince) 2014, Oil, Acrylic, Ink and Vellum on Canvas, Sage Vaughn, SageVaughn.com
The Gazer (R Prince) 2014, Oil, Acrylic, Ink and Vellum on Canvas, Sage Vaughn, SageVaughn.com

As an artist, I’ve been very enamored by Sage’s use of the Butterfly, combined with his drip paint technique. Below you can view a YouTube mural making video that I created in 2014 inspired directly by his paintings. I have no idea if he’s ever seen my work, but I do hope that he would be flattered and not offended by my interpretation of his beautiful fine art.

 

A Design Diary by Romi Cortier