McClean Design Book Launch on Blue Jay Way

McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536  Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.

I recently attended the McClean Design book launch party on Blue Jay Way… wow. I don’t know how I got on this mailing list, but I sure hope they invite me back for more events!!

To be honest, I didn’t know who Paul McClean was, or anything about his design firm started in 2000. That’s all changed. Now I’m a huge fan, and I’m convinced I’ve seen his stellar work, even though I may not have known it was his.

I happily purchased his book at the event, and stood in line for an autograph with other supporters of Contemporary Architecture. He was super sweet and very kind.  I also met so many other wonderful people at this party, including other architects, interior designers, landscape designers and P.R. people. It’s safe to say that I’ve found my peeps.

To prepare for this blog post I spent the better part of this evening reading through the book and looking at his work. What I love about the book is that he explains his process, including working with clients, city building regulations and restrictions,  the evolution of the project, and what the ultimate focal point is. I didn’t realize how restrictive certain areas are in the Hollywood Hills when it comes to building guidelines, but it makes sense because no one wants to lose their multimillion dollar view. Water is used brilliantly through out his projects to reflect the sky, and often block out the home beyond the property. Frequently those bodies of water may fall into lower level water features at basement level, to reflect light into the home. In many areas you’re only allowed to build one level, or 16 feet, and everything else has to be below that, translates to  a basement that doesn’t feel like a basement. Lush materials are used through out the projects, with lots of thought given to the warmth or coolness of the materials and how they’ll also reflect the light.

The home featured above is currently listed with Hilton & Hyland for about $24 million: 1536 Blue Jay Lane . It features 6 bedrooms, 8 bathrooms, and over 10,00 square feet of living space. If you decide to purchase it, feel free to invite me back over for cocktails…

And of course I took a silly bathroom selfie, cause those marble bathroom walls are crazy amazing!

McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.
McClean Design Book Launch Party at 1536 Blue Jay Way, Los Angeles, Ca.

McClean Design

Book available on Amazon 

The Peggy Guggenheim Collection – Venice, Italy

Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Romi Cortier, Peggy Guggenheim Collection, Venice, Italy, Photo Recio Young
Romi Cortier, Peggy Guggenheim Collection, Venice, Italy, Photo Recio Young

I recently visited the Peggy Guggenheim Collection while on holiday in Venice, Italy. I had no knowledge of the storied past of the Palazzo Venier dei Leoni,  who’s story began in about 1750, long before Ms. Guggenheim became its final occupant.

Peggy Guggenheim’s collection is a must see for fans of Modern Art, and is also one of Venice’s most visited attractions. Situated on the Grand Canal near the Lagoon, the  former residence features amazing views of the canal and other palazzos. And most important, is the collection itself. It’s noted as ‘one of the most important museums in Italy for European and American art of the first half of the 20th Century’. Pieces in her collection embrace Cubism, Surrealism and Abstract Expressionism, and are born out of personal connections from the artists themselves.

As a champion of artists, she created an American outpost for the European avant-gard, with a  gallery in New York  called Art of This Century, in 1942. Prior to that she had a short lived gallery in London  during the lates 1930’s, Guggenheim Jeune. Her initial collection, acquired at a rate of one painting per day on frenzied trips to Paris during World War II, cost her only $40,000 for a group of works by Brancusi, Geroges Braque, Salvador Dali, Ernst, Fernand Leger and Pable Picasso, among others. That collection ultimately settled in Venice in 1948, with its initial exhibition at the biennale.

With the acquisition of Palazzo Venier dei Leoni, Ms. Guggenheim set up shop as one of the city’s most celebrated patrons and eccentrics. That said, she was actually the third woman to own the Palazzo, preceded by the Marchesa Luisa Casati and Doris Castlerosse. Christies has a fantastic article titled: Ghosts of the unfinished palazzo, which you can read HERE. A little FYI, the palazzo might be named for the yawning lion heads seen below…  at least that’s one of the theories.

Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier
Peggy Guggenheim Collection, Venice, Italy, Photo Romi Cortier

Takashi Murakami 2019 Oscars Show

Murakami, Opening Night, Gagosian Art Gallery, Beverly Hills, Ca. Photo Romi Cortier
Takashi Murakami, 2019 Oscars Show,  Gagosian Art Gallery, Beverly Hills, Ca. Photo Romi Cortier
Murakami, Painting Detail, Opening Night, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, Painting Detail, 2019 Oscars Show,  Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Murakami, Opening Night, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, Pom &  Me,  2019 Oscars Show, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Murakami, Opening Night, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, 2019 Oscars Show,  Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Murakami, Opening Night, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, 2019 Oscars Show, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Murakami, Opening Night, Gagosian Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, 2019 Oscars Show,  Gagosian Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, Sculpture, Opening Night, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, Sculpture, 2019 Oscars Show, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Murakami, Opening night, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Takashi Murakami, 2019 Oscars Show, Gagosian Art Gallery, Beverly Hills, Ca., Photo Romi Cortier
Romi Cortier, Murakami Exhibit Opening Night, Gagosian Gallery, Beverly Hills, Ca., Photographer unknown
Romi Cortier, Takashi Murakami, 2019 Oscars Show, Gagosian Gallery, Beverly Hills, Ca., Photographer unknown

Takashi Murakami. His work speaks for itself. It’s big. It’s bold. It’s beautiful. And it won’t be ignored.

On February  21st, Gagosian presented ‘GYATEI 2new works by Takashi Murakami, as the 2019 “Oscars show”, a much anticipated annual fixture on the Los Angeles cultural calendar. And anticipated it was… I stood in line for over 40 minutes to get into the gallery on this particular 49 degree night, hoping they wouldn’t close the doors before myself,  all of the other clamoring devotees of Murakami’s  work could enter.

If you understand Angelenos, then you know any temperature below 60 degrees might as well be considered a major snow storm, because we don’t do cold.  But we were committed. We huddled together en masse outside the sleek  gallery space on 456 North Camden Drive, watching  the cameras flash through the slotted window of this very crowded exhibition. Apparently I wasn’t the only one who saw the sponsored ad on Facebook, so yes, those things do pay off sometimes.

This wasn’t my first time seeing Murakami’s work. My first exposure to Murakami was at his MOCA retrospective in 2007. Room after room of larger than life works, left me spellbound.  Last week I attended  FRIEZE LA opening night at Paramount Studios, and was drawn to a massive circular piece that I didn’t realize was his, until I read the placard. And once I’d looked closer at some of the details I thought, of course it’s his.

Takashi Murakami, 'Red Kraken, Blue Kraken' 2018, Acrylic on canvas, mounted on wood panel, Perrotin Gallery
Takashi Murakami, ‘Red Kraken, Blue Kraken’ 2018, Acrylic on canvas, mounted on wood panel, 59 1/16 inches, Perrotin Gallery

Once you learn the visual vocabulary of an artist, it’s hard to miss their work. The ethereal brush strokes of Renoir, the crayon like short strokes of Cezanne,  the bold thick raised paint of Van Gogh,  Warhol‘s screen prints… every successful artist has to find their voice. That’s what makes them stand out in a crowd, and it’s how you’re able to  spot their work from across the room. This is why it’s so important to spend as much time as possible at art galleries and art museums. Your eyes begin to learn a new language  that your mouth  may not have words for, yet. Murakami clearly has found his voice, so go see this show. At the very least, it’s a happy show  with bright primary and secondary colors, paying homage to emoji’s and the highly coveted gold Oscar statue.

Show closes April 13, 2019

GAGOSIAN

A Gondola Ride in Venice

Gondola view Santa Maria della Salute, Grand Canal, Photo Romi Cortier
Gondola View of Santa Maria della Salute, Grand Canal, Photo Romi Cortier
Gondola, Venice, Italy, Photo Romi Cortier
Gondola View  San Marco, Venice, Italy, Photo Romi Cortier
Gondola, Venice, Italy, Photo Romi Cortier
Gondola View of  Palazzo Ducale, Venice, Italy, Photo Romi Cortier
Gondola, Venice, Italy, Photo Romi Cortier
Gondola View San Marco, Venice, Italy, Photo Romi Cortier
Gondola, Venice, Italy, Photo Romi Cortier
Gondola View San Marco, Venice, Italy, Photo Romi Cortier
Gondola, Venice, Italy, Photo Romi Cortier
Gondola View San Marco, Venice, Italy, Photo Romi Cortier
Gondola, Venice, Italy, Photo Romi Cortier
Gondola View  San Marco, Venice, Italy, Photo Romi Cortier
Gondolas on the Grand Canal, Venice, Italy, Photo Romi Cortier
Gondolas on the Grand Canal, Venice, Italy, Photo Romi Cortier
Gondolas on the Grand Canal, Venice, Italy, Photo Romi Cortier
Gondolas on the Grand Canal, Venice, Italy, Photo Romi Cortier

You can’t think of Venice Italy without thinking of a Gondola, they go hand in hand. On my recent visit to Venice, I got to experience their magic first hand. The peacefulness of gliding on the narrow canals between the stones buildings is everything you’d imagine it to be. Smooth. Quiet. Reflective. Tranquil. It’s such a personal experience, especially when traveling with a loved one.

The history of the Gondola is a long and storied one, possibly dating back as early as  700 AD, or at the very least 1094 AD when mentioned in a letter from a Venetian Republic official. As a design geek I was fascinated to learn that the Venetian Blind was derived from blinds that were used on earlier Gondola’s dating back to about 1500 when Gondola’s had cabins. The blinds allowed for privacy during the Age of Decadence, when would be Casanovas enjoyed trysts out on the canals.

During the 14th century, horses were outlawed from the streets of Venice, and the noble class embraced the gondola as a respectable form of transportation.  During the 16th century, laws were enacted by the doge to eliminate competition between the nobles, who were competing for the fanciest rig. Some went so far as to include semiprecious stones on brightly colored boats.  Now each vessel is covered in 6 coats of black paint and lasts about 15 years, after which, it can be refinished (once) to last another 10 years.

About 200 years ago there were over 10,000 Gondolas in Venice, now there are only about 400 licensed gondoliers. When one dies, the license is passed to his widow. If you’re going to take in the full Gondola experience,  it’s about 80 euro during the day, and 100 euro during the evening. If you choose to tip your gondolier, the rate is 5 – 10 percent. FYI, don’t expect all of them to serenade you… as they say, some are lovers, and some are singers.

Hotel Monaco in Venice Italy

Hotel Monaco & Grand Canal, Venice, Italy, Photo Romi Cortier
Hotel Monaco & Grand Canal, Venice, Italy, Photo Romi Cortier
Hotel Monaco & Grand Canal, Venice, Italy, Photo Romi Cortier
Hotel Monaco & Grand Canal, Venice, Italy, Photo Romi Cortier
Monaco Hotel & Grand Canal, Venice, Italy, Photo Romi Cortier
 Hotel Monaco & Grand Canal, Venice, Italy, Photo Romi Cortier
Monaco Hotel & Grand Canal, Venice, Italy, Photo Romi Cortier
Hotel Monaco & Grand Canal, Venice, Italy, Photo Romi Cortier
Monaco Hotel & Grand Canal, Venice, Italy, Photo Romi Cortier
Hotel Monaco  & Grand Canal, Venice, Italy, Photo Romi Cortier

I recently spent Christmas at the Hotel Monaco in Venice Italy. If you’re a regular follower of my design diary, then you’re going to be reading a lot more about my travels to Europe over the holidays, as well as my plans to return this fall.

I’ve been engaged for two years, and the plan has always been to have our marriage celebration in Italy. That said, I wasn’t convinced that Venice was going to be the ultimate destination, even though it has always been my fiancé’s first choice.

In September I began researching locations, making phone calls, sending emails, and using google images to look at endless possibilities up and down the Italian coast. And then, I found the Hotel Monaco, which sits at the mouth of the Grand Canal. Their grand ballroom is out of this world, and I knew if my pocketbook could make it work, then it would be our wedding venue.

We tailored our holiday vacation  in a way  that would allow for several days in Venice to tour the Hotel, and its surrounding area. We also scheduled a meeting with Simona Miranda, the hotels event manager, on the morning of December 24th. She was kind and generous  with her time and spent a full two hours with us, giving us a tour of the three buildings that make up the hotel.  I was concerned that our inability to speak  Italian would make our meeting difficult. On the contrary, her English was great and she was so much fun to talk with.

Recio Young, Simona Miranda, Romi Cortier, Hotel Monaco & Grand Canal, Venice, Italy
Recio Young, Simona Miranda, Romi Cortier, Hotel Monaco & Grand Canal, Venice, Italy

As for the hotel itself, its origins date back to 1638 when it was a public Ridotto, a place where the Venetians “retreated” for  gambling parties and other pastimes that personified the spirit of Venice’s merchant mentality. In 1768 the Ridotto was restored by Bernardino Maccaruzzi who also modified the internal structure, making it more functional. A later restoration took place in 1936, and again in 1947 before it ultimately became the Hotel Monaco.

Hotel Moncao & Grand Canal, Venice Italy, Photo Romi Cortier
Hotel Monaco & Grand Canal, Venice Italy, Photo Romi Cortier

The hotel is  literally a 5 minute walk from St. Marks Square, which is quite a treat late at night when no one’s around. It also helps that it was about 40 degrees this particular night, and no one in their right mind was out walking around.

St. Marks Square, Venice Italy, Photo Romi Cortier
St. Marks Square, Venice Italy, Photo Romi Cortier

Another wonderful feature about the hotels location, is the water taxi dock that’s located in front of the hotel. For less than $20 you can buy a 24 hour ticket that will let you hop on and off  Water Taxi #1, which will take you to the Peggy Guggenheim Museum, under the Rialto Bridge, and all the way down the Grand Canal to the Train Station. There’s also a gondola station on this same dock, which we’ll talk about more on my next post. Ciao!

Water Taxi Station, San Marco, Venice, Italy, Photo Romi Cortier
Water Taxi Station, San Marco, Venice, Italy, Photo Romi Cortier

HOTEL MONACO

A Design Diary by Romi Cortier