David Hockney, 82 Portraits and 1 Still Life

David Hockney, 82 Portraits and 1 Still Life, Los Angeles County Museum of Art, 2018
David Hockney, 82 Portraits and 1 Still Life, Los Angeles County Museum of Art, 2018

David Hockney: 82 Portraits and 1 Still life, is a tour de force.

Let me be honest… there’ve been times that I haven’t loved the work of David Hockney, namely the time that I saw his large scale landscape in Paris, possibly at the Pompidou Center. While that particular installation was colorful, it felt crudely executed when in the presence of the more traditional  fine art paintings in that gallery. I wanted to love it… but I didn’t.

That said, these current works are both energizing and poignant, and had me smiling from the moment I walked into the gallery. The shear force of all of that color flooded my eyes and made for an amazing presentation .  The alternating background colors behind his subjects, in shades of blues and greens, hanging against  the saturated red-orange gallery wall, created a  visual rhythm between each portrait. The overall gestalt was one of strength and happiness. However, after looking at each portrait up close, a deeper sense of appreciation emerged. While the brush work was loose, the proportion and perspective was spot on. And then of course there’s the emotional life of each of his subjects.

Rita Pynoos, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018
Rita Pynoos, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018

Rita Pynoos: Friend of David Hockney

Benedikt Taschen, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018
Benedikt Taschen, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018

Benedikt Taschen:  Founder and managing director of the publishing house Taschen, one of the most  successful international publishers.

Larry Gagosian, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018
Larry Gagosian, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018

Larry Gagosian: Owner Gagosian Gallery, an upscale chain of art galleries.

Margaret Hockney, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018
Margaret Hockney, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018

Margaret Hockney: Sibling to David Hockney

John Baldessari, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018
John Baldessari, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018

John Baldessari: American conceptual artist featured in more than 200 solo exhibits in the U.S. and Europe.

J-P Goncalves De Lima, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018
J-P Goncalves De Lima, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018

Jean-Pierre Goncalves de Lima: Studio manager for David Hockney

Still Life, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018
Still Life, Acrylic on Canvas, David Hockney, Los Angeles County Museum of Art, 2018

Eighty two friends and business associates agreed to sit for Mr. Hockney in his Hollywood Hills art studio, for up to 3 days per portrait. The Still Life seen above was created on the day that one of his guests  wasn’t able to make the scheduled sitting. For any artist  to take on a project like this, it’s a remarkable and ambitious feat. Hockney just turned 80. I can’t imagine taking on a project like this at the age of 75.  Hockney says that when he’s in his studio painting, he feels 30 again… so naturally he spends as much time there as he can.

Organized by the Royal Academy in conjunction with LACMA, the exhibit opened in London in 2016, then traveled to Venice, Italy: Bilboa, Spain: and Melbourne, Australia. The only U.S. stop is L.A. and will close on July 29, 2018.

Romi Cortier, David Hockney Exhibit , Los Angeles County Museum of Art, 2018
Romi Cortier, David Hockney Exhibit , Los Angeles County Museum of Art, 2018

If you live here in LA, I highly urge you to attend this exhibition… you may find yourself inclined to visit it more than once. Personally, I can’t stop thinking about the show.

LACMA exhibit info.

The New Waldorf Astoria in Beverly Hills

Waldorf Astoria, Beverly Hills, Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca. Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca,  Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier

There’s so much to love about the new Waldorf Astoria in Beverly Hills, especially the views from The Rooftop JG restaurant. Standing at twelve stories above the street with unobstructed views, the city of angels has never looked more beautiful. That said, the only concern that I have regarding the 12th floor, is the height of the glass railing. It appears to be only about 4 feet high, and for the life of me, I can’t imagine how the city of Beverly Hills allowed this. There’s a cactus barrier on the north wall, but for the rest of the bar and restaurant, I fear for the safety of anyone who might have a few to many cocktails.

The Rooftop at JG, Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
The Rooftop at JG, Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
The Rooftop at JG, Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
The Rooftop at JG, Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier

On a more positive note, getting to the rooftop is a beautiful experience. The elevator banks all have striking vignettes with custom rugs and well appointed side tables, complete with lamps, vases, and object’s de art. Oh, and did I mention all the gorgeous wall paper? So elegant. There seems to be a running theme among their tonal palettes, with beautiful shades of green, even in the wall mural seen below.

Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier

Another design element that I love about the Waldorf, is how they’ve reinterpreted 1920’s Art Deco. Take a look at the fireplace below. It’s tiered in three layers, which is a common hallmark of deco. I also love how they’ve tied in the soft shades of green with the chairs and frosted glass, which also relates to the images above. Large open spaces, especially in hotel lobbies, can be very stark and severe. This hotel strikes a perfect balance of warmth and comfort combined with modernity.

Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier

The driveway and entrance feels a bit more Mid-Century then Art Deco, but it still oozes elegance with all of the uplighting on the landscaping. However, the use of all of those elements combined, create a sense of grandiosity that never goes out of style… especially in Beverly Hills.

Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier
Waldorf Astoria, Beverly Hills, Ca., Photo Romi Cortier

Waldorf Astoria Beverly Hills

Inside the Peter Shire Studio

Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier

Stepping inside the Peter Shire Studio in Echo Park, is like walking onto a playground for art geeks. It’s a kaleidoscope of color and texture everywhere you look. Shelves are lined with completed sculptures and pottery waiting for a new home. Other areas are work zones with active projects being completed for upcoming art exhibits in New York and Milan. And the most surprising element in the room…. Peter, actively working on a massive table sculpture, for a show opening in a few weeks.

Peter Shire, Peter Shire Studio, Echo Park, Ca., Photo Melanie Engle
Peter Shire, Peter Shire Studio, Echo Park, Ca., Photo Melanie Engle

Here’s his inspiration, compliments of Shire’s Studio…

Peter Shire Painting, Compliments Peter Shire Studio
Peter Shire Painting, Compliments Peter Shire Studio

This is an actual working studio, which is very different than a gallery setting.  That’s what made this experience so special for me. In a gallery setting,  works are placed on pedestals and are beautifully lit, having been curated with a specific point of view. As you can see by these photos, it’s about creating and storing the works of art, until they’re ready for their next exhibition. That’s why  stepping into Peter’s Studio was so exciting, my eye could do the editing, jumping from piece to piece.  I also felt like  I was on sacred ground,  invited to see the master at work. God knows I could never do a painting with someone standing over me, I need to be in a very comfy and quiet environment.

Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier
Peter Shire Studio, Echo Park, Ca., Photo Romi Cortier

If Peter’s work looks familiar to you, it’s because he’s been around since the 1980’s. He first burst onto the scene with The Memphis Group, an Italian design and architecture group founded in Milan, in 1982. He was the only American sculptor invited to be a part of this international  group. And several of his pieces were included in the movie Ruthless People starring Bette Midler and Danny Devito. But his work hasn’t stopped there. He’s continued his iconic style,  making chairs and other everyday items, into major works of art. And in case you haven’t been to one of Peter Shires exhibition’s, here’s a glimpse of a his recent show that  closed on Saturday.

Peter Shire Installation, Kayne Griffin Corcoran Gallery, Photo courtesy Peter Shire Studio
Peter Shire Installation, Kayne Griffin Corcoran Gallery, Photo courtesy Kayne Griffin Corcoran Gallery, Photo: Flying Studio, Los Angeles

As for L.A. experiences, this is on par with meeting famed photographer Julius Shulman in 2004.  Artists shape the world in which we live, giving it life and meaning,  and sometimes a whole lot of humor…  which we can certainly use these days.

Thank you Peter for letting us spend a very special day in your studio.

Romi Cortier, Melanie Engle, Coco (aka MalibuPom) and Peter Shire, Photo courtesy Peter Shire Studio
Romi Cortier, Melanie Engle, Coco (aka MalibuPom) and Peter Shire, Photo courtesy Peter Shire Studio

PeterShireStudio.com

Staging 3339 Ellington Villa Drive in Altadena

3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca. Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier

Staging 3339 Ellington Villa Drive was a total blast, and served two purposes. The first purpose  was to help out a client who was preparing to sell her home, it’s first time on the market in 40  years. The second purpose, was to create a set for filming an episode of Artful Living. Locations for filming can be very expensive, so it was a perfect trade, plus this gem of  a mid-century ranch home built in 1957,  was the ideal backdrop for our episode about all things mid-century.

The  pilot episode of Artful Living was finished in the fall of 2017. After getting some great feedback from several of our contacts  in the entertainment industry, we decided we needed to do a  re-shoot to streamline the shows message.  Therefore, we were looking for a new mid-century location to film an interview with architectural historian Eleanor Schrader.  Eleanor was my  instructor during my studies at the UCLA Interior Design  Program, and I was elated when she agreed to join for such a special interview.

Romi Cortier and Eleanor Schrader on the set of Artful Living, 2018
Romi Cortier and Eleanor Schrader on the set of Artful Living, 2018

If you’ve never been on a film set, it’s a long arduous day. We literally spent 13 ours filming our interview,  which included a walk through of the home. We discussed my staging choices, as well as the design hallmarks of this mid-century ranch home.

When it comes to staging, each room needs to have a ‘color story‘ as I like to call it. I’ve learned from experience that a beautiful monochromatic room might feel wonderful while you’re sitting in it, but when you look at images of those kinds of spaces, they can completely die and have no life whatsoever on camera. Therefore, little spikes of color can make the space feel exciting and alive.

For the living room, I used my Purple Hydrangea painting (yes I’m a painter) as the spring board for the color story. I found nick nacks  for the room at Marshall’s, Home Goods and T.J.Maxx, with the exception of the purple chenille cubes which came from my personal collection.

3339 Ellington Villa Drive, Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier

For the dining room and kitchen, my Yellow and Chartreuse Bird paintings were the spring board for my color story.  I used a few simple items in those same tones, which kept the room looking crisp and simple.  In case you’re wondering about the dining room table, it came from IKEA for less than $200, and was a perfect fit for the mid-century styling.

3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier
3339 Ellington Villa Drive, Altadena, Ca., Photo Romi Cortier

I’m happy to report that the home went into escrow during it’s first week on the market, and many people also commented on how much they loved the staging. We’re working hard with our editors putting together our show, and can’t wait to share it with you in the coming weeks! Stay tuned…

See listing HERE

The Abstract Art of Carla Jerome

Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Abstract Art by Carla Jerome, 2018, Photo Romi Cortier
Abstract Art by Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier
Untitled, Acrylic and Charcoal, Carla Jerome, 2018, Photo Romi Cortier

I recently attended the art opening of client Carla Jerome at FIG Gallery in Santa Monica at the  26th Street Art Center, formerly known as the Bergamot Station Arts Center.  Yes, as of January 1, 2018 the Arts Center is now under new ownership with a new name.

Carla’s exhibit explored abstraction, inspired by her previous figurative work. To quote Carla, My work is a continuous conflict, balancing challenges and seeking equilibrium. I avoid creating art that dictates a certain response. I believe that ‘art’ allows each of us to interject ourselves into it, to find a unique meaning. She uses layers of charcoal and acrylic paint to build her painting, until it’s complete.

One of the things that resonated with me about Carla’s work, is her use of color.  The emotional quality of her color palettes are either soothing, think cool lavender and blues tones, or energizing, with her use of red and orange tones.  I also like the subtle line work that references her love of architecture. Shapes of buildings and chairs overlap, creating  layered landscapes that shift into and out of focus. The end result are works that are easy to live with, and works that could fit into a wide range of architectural environments.

Carla Jerome & Romi Cortier, FIG Gallery, Carla Jerome Art Exhibition, 2018
Carla Jerome & Romi Cortier, FIG Gallery, Carla Jerome Art Exhibition, 2018

If you’d like to see more of Carla’s works, particularly her figurative work, check out her web site HERE.

A Design Diary by Romi Cortier